中国战争电影很早就有笑声,但很晚才产生了蕴含喜剧角度和情感状态的真正的喜剧。以喜剧性思维来表现战争的电影,是在上世纪90年代的冯小宁和张建亚手上完成的。在冯小宁的《举起手来》系列和张建亚的《绝境逢生》等作品中,一种表现抗战历史的电影新形态开始明确,它的基本特征是:民族主义的态度,发现差异、找到乖讹的审美视角,夸张漫画式的讽刺手法,癫狂的肢体动作。我们可以把它们叫作“癫狂喜剧”。“癫狂喜剧”为抗战题材的电影创作创立了一个喜剧类型。 Chinese war films had long had laughter, but late in life there was a real comedy that contained comedy angles and emotional states. Movies that used comic thinking to represent the war were made by Feng Xiaoning and Zhang Jian Ya in the 1990s. Among the works of Feng Xiaoning’s “Hands Up” series and Zhang Jianya’s “Desperation”, a new form of cinema that shows the history of the war of resistance begins with a clear definition. Its basic characteristics are: the attitude of nationalism, the discovery of differences, the finding of good Correct aesthetic perspective, exaggerated comic satire, mad body movements. We can call them “crazy comedy.” “Mania Comedy ” created a comedy genre for the war movie creations.