主要以刘半农在《新青年》与《中华小说界》上发表的理论、诗歌创作与翻译,作为一个个案讨论,去说明早期新诗“语言”如何影响“体式”这个问题。他的诗歌翻译,在语言和体式转换上保持开放,体现了语言与体式间的互相迁就和转化。相对于他诗歌翻译体式多变,且并未清一色地使用白话;他在诗歌创作上虽同样保持体式的多元,语言上却坚持往口语靠近。 Liu Bannong’s theory, poetry creation and translation published in “New Youth” and “Chinese Fictional Circles” mainly serve as a case study to explain how the early new poem “Language ” influenced “body style ”. His poetry translation, open to the language and the transformation of the style, embodies the mutual accommodation and transformation between language and style. Compared with the changing style of his poetry translation, and not to use plain vernacular; although he maintains the same style of poetry in the diversity, but the language insisted on speaking close.