论文部分内容阅读
国内大型演出业的繁荣,已成为一个值得关注的新型文化业态。其中具有视觉先行特征价值的舞美形态,在技术手段支撑的视觉语言表现与戏剧表演要求的人文诉说方面,二者出现一种剥离的现象。一些形式大干内容的设计越发显露技术主义的倾向,由此折射出整个大型演出生态群的遗憾。它引发我们重拾艺术想象和戏剧艺术虚构的技术评价,强调舞美的技术能量,不等同于纵容单纯技术的臆造来冒充创新。本文通过对大型演出舞美因偏重技术主义而导致演出文化本体弱化的思考,从而倡导大型演出的舞美更应遵循艺术规律,才能使其具有独特的生命力。
The prosperity of the domestic large-scale performance industry has become a new cultural format worthy of attention. Among them, the form of the dance and the beauty which has the value of visual antecedence has a peeled phenomenon in terms of the visual language expression supported by technical means and the humanistic claim required by theatrical performance. The design of some form of big content reveals the trend of technicalism more and more, which reflects the regret of the entire large-scale ecological group. It triggers us to regain the technical evaluation of the fictional art imagination and drama, emphasizing the technical energy of dancing and beauty, and does not mean that it connotes innovation by conniving the fabrication of purely technical. Through the consideration of the weakening of the performance culture due to the emphasis on technicalism in the large-scale performance, the author advocates that the performance of the large-scale performance should follow the law of art and make it have unique vitality.