作为“中法文化之春”的视觉艺术展览之一,在程昕东当代艺术空间举办的法国艺术家让皮埃尔雷诺个展中,从文字引入到图像的展览模式还保留着极强的“极简主义”气息。本次展出的大部分作品是建立在艺术家1993年“新石器时代头骨”系列作品基础之上的再创作。让·皮埃尔雷诺认为头骨是人类最原始和最本质的生命形式,在它僵化的外表之下蕴含着巨大的心理能量。而为这些单调沉闷的头骨添加上各种可爱而俏皮的小物 As one of the visual art exhibitions of “Spring of Sino-French Culture”, the French artist Jean-Pierre Renault solo exhibition held in the contemporary art space of Cheng Xin Dong retained the extremely strong “ Minimalism ”breath. Most of the works on display this time are based on the artist’s 1993 “Neolithic Skull” series of works based on the re-creation. Jean-Pierre Reynaud believes that the skull is the most primitive and the most essential form of human life, under its rigid appearance contains a huge psychological energy. And for these monotonous skull add a variety of cute and cute little things