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在大部分钢琴伴奏的歌曲中,伴奏者们可以逐渐掌握和表现一首歌曲的表面内容,但难以在与歌唱者演唱的时候融入自身的情感和表现。想要完整的弹奏一首声乐作品,就要对作品进行完整的剖析,要从歌曲作品的本身入手,总结和分配最适合演唱者演唱的伴奏方案。想要伴奏好一首作品,那么就要从作品的本身出发,首先分析作品的背景,通过背景去研究作品本身的特点及民族特色,重要的是分析作品的调式调性。在调式调性分析完毕以后,就要去分析整首作品的旋律走向,通过旋律去分析作品的情感。整体分析完毕就要深入作品,对其伴奏织体及织体的特点运用进行分析。
In most of the songs accompanied by the piano, accompaniments gradually grasp and express the surface content of a song, but it is difficult to integrate their emotions and performance when singing with a singer. Want to play a complete vocal works, it is necessary to conduct a complete analysis of the work, we should start from the song works, summarize and assign the best accompaniment programs for singers singing. If you want to accompany a good accompaniment, then you should start from the work itself, first analyze the background of the work, and study the characteristics and ethnic characteristics of the work through the background. It is important to analyze the tonality of the work. After the tonal sex analysis is finished, we should analyze the melody of the whole work and analyze the emotion of the work through the melody. The overall analysis is completed in-depth work, its accompaniment weave and texture characteristics of the use of the analysis.