一 在流派纷呈、更迭频繁的二十世纪西方美学中,分析美学无疑是最引人注目的派别之一。它自本世纪初开始孕育、崛起,直至七、八十年代仍不断有专著问世,学术影响绵绵不绝。 资本主义社会的固有矛盾与二十世纪特定的社会历史和文化状况交织在一起,引发了西方社会中人们对传统的世界观、价值观、思维方式的普遍怀疑乃至彻底否定,这正是分析美学得以滋生的沃土。分析美学的基本立场是一种美学上的怀疑论和取消主义,这又是由美的相对性、多样性所诱发的。早在两千多年以前,古希腊哲人柏拉图就已看到 One of the most varied schools of thought in the twentieth century, aesthetics of analysis, is undoubtedly one of the most striking factions. It has started to nurture and rise since the beginning of this century, and there are still monographs going on until the 1970s and 1980s. The academic influence is endless. The inherent contradictions of capitalist society and the particular social history and cultural conditions of the 20th century are intertwined, triggering widespread suspicions and even total denials from the traditional world outlook, values ​​and modes of thinking in Western societies, which is why analytic aesthetics can be breed Fertile soil. The analysis of aesthetics’s basic position is an aesthetic skepticism and cancellationism, which is induced by the relativity and diversity of the United States. As early as two thousand years ago, Plato, the ancient Greek philosopher, had already seen it