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导演娄烨尝试在《紫蝴蝶》构建“无中心”的叙事结构,从各人物的视角出发拼贴出故事的概貌,试图让人们看清小人物的“小写历史”。电影叙事上的尝试不但体现了导演的伦理主张,也表达了其特有的叙事实验意识。尽管复杂的叙事结构没有被观众接受,叙事实验也没有得到市场的回馈,但《紫蝴蝶》的出现从一定程度上体现了我国电影创作领域的活力与多元。
Director Lou Ye tried to construct a narrative structure of “centerless” in “Violet Butterfly”, collage the outline of the story from the perspective of each person in an attempt to let people see the “lowercase history” of the minor. Attempts in movie narration not only reflect the director’s ethics, but also express its unique narrative experimental consciousness. Although the complicated narrative structure has not been accepted by the audience, the narrative experiment has not got any feedback from the market. However, the emergence of “Violet Butterfly” reflects to some extent the vitality and pluralism of the field of film creation in our country.