回想一下,写戏多年,有一个重要体会,即“写戏三动”:动情,动心,动气。动情,不必多说,古今中外许多作家和理论家都有不少论述。情之所至,不吐不快。对一个人,一句话,一件事,一个景物,皆可产生一种感情,同情,欣赏,怜悯,爱慕,爱恋,嫉妒,怨恨,鄙视,敬仰……因此,在这种写作过程中,尽量去抒发自己心中的感情。这种感情一定是真实的,真诚的,更应该是炽热的。只有自己在感动之中,才 Recall that writing for many years, there is an important experience, that is, “writing three movements ”: passion, ambition, arousal. Needless to say, many writers and theorists at home and abroad have a lot of expositions. Love the situation, do not spit fast. A person, a sentence, a thing, a scene, can produce a feeling, sympathy, appreciation, mercy, love, love, jealousy, resentment, contempt, admiration ... ... Therefore, in this writing process, as far as possible To express their feelings in the heart. This feeling must be true, sincere, it should be more hot. Only you are touched, only