本文以《遗事八帖》和《夜枭》两部散文集为主,分析了林文义散文风格从显性到隐性的、高度刚性的思想暨语言实验,可谓瘦金之变。其中最显著的一篇是《鱼龙前书》,是林文义迈向瘦金体的一次U型回转,是其创作上的涉险,也是有代价和收获的焠炼,让他体悟到瘦金体的极限。历劫归来的抒情与叙事,无损林文义浪漫主义诗人的性情和风格,反为其散文添了两分庄重和肌里的圆融;此外,依旧保有瘦金体散文的棱角、丰沛的诗情与叙述的复杂性。 This essay focuses on two essays of “Essay on the Eight Immortals” and “Night Owl”, and analyzes the thought and language experiment of Lin Wenyi ’s prose style from dominant to implicit and highly rigid. One of the most significant is the “Dragon”, Lin Wenyi is a U-turn toward the thin gold body, is the risk involved in his creation, but also the price and harvested harvest, let him realize the thin gold The limits of the body. The lyricism and narration of returning from the calamity do not damage the temperament and style of the Romantic poets in Lin’s literary works. Instead, they add two dignified and muscular meanings to his essay. In addition, he still retains the edges and corners of the thin gold prose, The complexity of narration.