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从乔托开始至风格主义结束的文艺复兴绘画前后不过三百年时间,以学院制教学方式被固定的文艺复兴绘画观看模式,由于过多地关注技术层面上的模仿,缺少了在精神层面上不断突破向上的游戏精神,而慢慢变成了艺术的束缚。因为艺术本是自由心灵的创造,所有的法度也都是基于对自然的观察而非一味地将前人的成就作为模仿的对象从而在无形中打压了自身的创造,这使得这套观看模式越来越缺乏包容性,最终终结于塞尚的现代绘画革命。但是我们不能否认它从建立之初为艺术家赢得的地位与荣誉,肯定他们运用新的理念对人与人性重新的解读与定义其实也是在肯定人自身的尊严与自由。
However, three hundred years after Giotto began to end the post-Renaissanceist style of art, the viewing mode of Renaissance painting, which was fixed in a college-based way of teaching, lacks spirituality due to too much attention to imitation on the technical level Constantly breaking the upward spirit of the game, and slowly become the shackles of art. Because art is the creation of a free mind, all the laws are based on the observation of nature rather than blindly taking the achievements of the past as the object of imitation, thus virtually suppressing their own creation. This makes the viewing mode more The more the lack of inclusiveness culminated in the modern painting revolution in Cezanne. However, we can not deny the position and honor it earned for the artist from its inception. We must affirm that the new interpretations and definitions of human beings and human beings using the new concept are in fact affirming one’s own dignity and freedom.