“非虚构素材戏剧”最重大的意义,在我看来,即为“赋权”:形式上赋予非虚构素材以登上舞台的权利,内容上赋予非虚构素材被关注、被重视的权利;这既关乎戏剧的艺术本体,又关乎戏剧的社会责任。“非虚构素材戏剧”可谓一块前途无量的处女富矿,对于形式亟须突破、内容亟须坚实的中国戏剧而言,尤其如此。“非虚构素材戏剧”再向前走,即是连叙事企图都不明确的“观念戏剧”。今年的南锣鼓巷戏剧节中,这类戏剧最有代表性的,即是引发热烈反 The most significant meaning of “non-fictional material plays” is, in my opinion, the “empowerment”: the right to formally give non-fictional material to board the stage. The content is given to the non-fictional material to be watched. It is not only about the artistic essence of drama, but also about the social responsibility of drama. “Non-fiction material drama” is a promising virgin rich mine, especially for Chinese dramas in urgent need of a breakthrough in form and content. “Non-fiction material drama ” and then move forward, that is, even the narrative attempts are not clear “concept drama ”. This year’s Nanluoguxiang Drama Festival, the most representative of such plays, that is, provoke enthusiastic