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本文立足审美人类学的宏观视野,运用考古学、人类学和美学等学科的材料以及对中国音乐文化的阐释,从民族审美心理学追溯到中国人审美心理,从旧石器时代到新石器时代晚期孕育、萌芽和形成的历史,最鲜明地体现了中国人审美心理结构的民族特色。
Based on the macroscopic horizon of aesthetic anthropology, using the materials of archeology, anthropology and aesthetics as well as the interpretation of Chinese music and culture, from the national aesthetic psychology to the Chinese aesthetic psychology, from the Paleolithic to the late Neolithic The birth, germination and formation of history, the most vividly embodies the Chinese people’s aesthetic characteristics of the psychological characteristics of the national structure.