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上海淮剧团在即将建团40周年之际,决定上演罗怀臻先生创作的7场都市新淮剧《金龙与蜉蝣》,并邀我执导。对此,我对剧团方面以及作者和全体演职人员对我的信任和期望表示由衷的感谢!现在,我将我对剧本的认识以及未来演出形象的思考介绍给全体创作人员,希望能够得到你们的验证和承认。一、关于作者和作品的功力性指向我以下所谈的问题涉及到时代要求戏剧的革新姿态以及生发出来的有关观念问题的讨论。1.罗怀臻对戏剧理想的追求,以及在其作品中所呈现出的思想重量,总是大大超出戏曲艺术
On the 40th anniversary of the upcoming mission, the Shanghai Huai Troupe decided to put on seven new games called “Golden Dragon and Wagtail” created by Mr. Luo Huai-zhen and invited me to direct it. I hereby express my heartfelt thanks to the troupe, as well as the trust and expectation of the author and all the cast members to me! Now, I introduce my knowledge of the script and the thinking of the future performance to all the creators, hoping to get you Verification and recognition. I. The Pointing Point of the Author and the Works The issues I will discuss below relate to the revolutionary attitude of the era demanding drama and the discussion of the issues of ideas that have arisen. 1. Luo Huai-zhen’s pursuit of dramatic ideal and the weight of thought presented in his works always far outweighed the art of opera