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小提琴的演奏姿势和方法决定了它的独特性和难度,小提琴的整个演奏过程,实际上是一个科学复杂的系统,所以我们应该利用自然界存在的规律,找到适用于小提琴演奏的科学方法。在世界上,相对的动与相对的静是普遍存在的一组对立统一,是宇宙万物运动的客观规律。本文利用在小提琴演奏中“动”与“静”的辩证关系,对肢体运动及心理活动的具体体现与运用方法作了简要的论述。
The violin’s playing posture and method determine its uniqueness and difficulty. The whole playing process of the violin is actually a scientific and complicated system. Therefore, we should make use of the laws of nature to find the scientific method applicable to violin playing. In the world, the relative dynamic and the relative static are the ubiquitous unity of opposites and the objective law of the universe. In this paper, we use the dialectical relationship between “moving” and “static” in violin performance to make a brief exposition of the concrete embodiment and application of limb movement and mental activity.