【摘 要】
:
艺术没有真正意义上的“真”,艺术的真实就是通过艺术造型使人联想和感受到生活的真实,是“形似”与“神似”的高度统一。在绘画艺术的早期,“论画以形似”,即以形象的逼真
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艺术没有真正意义上的“真”,艺术的真实就是通过艺术造型使人联想和感受到生活的真实,是“形似”与“神似”的高度统一。在绘画艺术的早期,“论画以形似”,即以形象的逼真与否来定高下,是中外绘画的共同历程。为了达到形象的逼真,为了追求形象在艺术上的真实再现,古代的画者进行了大量的探索与实践。 关于绘画上“真”的问题,早在唐代就已提出。
Art does not have the true meaning of “truth”. The truth of art is to make people think and feel the real life through art style. It is a high degree of unification of “shape” and “godlikeness.” In the early stage of painting art, “painting is shaped like a painting”, that is to say, it is the common course of painting both in China and abroad, that is to say, the vividness of the image. In order to achieve the vivid image, in order to pursue the image of the true reproduction of the art, the ancient painter conducted a lot of exploration and practice. As for the question of “true” in painting, it was put forward as early as the Tang Dynasty.
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