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《间接的语言与沉默的声音》是梅洛·庞蒂中期有关艺术理论的论文,主要是运用索绪尔的符号学理论重新阐释艺术史的生成问题。在他看来,艺术史并不是一系列艺术事件的松散拼凑,也不是某种艺术精神对艺术事件的外在操控,而是具有内在统一性的历史。这种艺术史的生成如同语言表达的历史一样,当下的事件一方面由于有意识的创新而区别于以前的事件并在与以前的事件的比较中得到理解,另一方面也可以被进一步的创新而与后一个事件相区别并作为背景生成后一个事件的意义,这种环环相扣的事件序列既为艺术史的统一性提供了可能,也为艺术史的延续提供了内在动力。遗憾的是,梅洛.庞蒂并没有揭示艺术史区别于一般历史的特殊性。
The Indirect Voice and Silent Voice is Merleau Ponti’s medium-term treatise on the theory of art. It mainly uses Saussure’s semiotic theory to reinterpret the formation of art history. In his view, art history is not a loose patchwork of a series of art events, nor is it an external manipulation of artistic events by some kind of artistic spirit, but a history of internal unity. This kind of art history is generated just as the history of language is expressed. Current events, on the one hand, are differentiated from previous events on the one hand by conscious innovation and are understood in comparisons with previous events, on the other hand, they can be further innovated Which is different from the latter event and is generated as a background. The interlocking sequence of events provides both the possibility of the unity of the art history and the intrinsic motivation of the continuation of the art history. Unfortunately, Melo Ponti did not reveal the particularity of art history as distinguished from general history.