由普洱市文化旅游宣传推介组委会主办的“普洱绝版木刻作品展”年前在中国美术馆举行,共展出绝版木刻作品64件,反映了“普洱绝版木刻”三十二年来的发展历程。“绝版套色木刻”作为版画的一种技法,其独特性是在“独版”上边刻边印,直至最后一版后无法再印,刻印的过程即是“毁版”的过程,画印完而版消失。普洱地区的“绝版套色木刻”的探索由郑旭开始,经过一些版画家的持续研究和实验,已 The “Pu’er Out-of-Print Woodcut Exhibition”, sponsored by the Cultural Tourism Promotion Committee of Pu’er City, was held at the China Art Museum a year ago. A total of 64 pieces of out-of-print woodcuts were exhibited, reflecting “Pu’er” Years of development. “Out of print sets of color woodcut ” as a technique of printmaking, its uniqueness is engraved on the “monotype ” edge engraving until the last version can not be printed, engraving process is The process of printing finished version disappears. Pu’er region “out of print color woodcut ” exploration by Zheng Xu began, after a number of print painstaking research and experiments have been