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明中期“吴门书派”的兴起一改之前的书坛低迷局面,而文徵明和王宠在这个书家群体中也最突出。文徵明和王宠都师法宋元诸家,上朔晋唐,追求笔意同性情融为一体,最终形成文徵明优美和雅的小楷书风,王宠古拙旷达的小楷书风,他们以自身的实践来反抗明初的“台阁”书风,扭转了“台阁”书风笼罩下单调的书法审美趣味,成为有明书法发展的主流,本文试图从文徵明、王宠两人小楷创作的技法及作品欣赏角度,分析他们小楷风格及特点。
In the mid Ming Dynasty, the rise of “Wu Men Shu School” changed the downturn of the book market before, and Wen Zhengming and Wang Chong were also the most prominent among the book groups. Wen Zhengming and Wang Zongming both teach the Song and Yuan dynasties, Shangshu Jin and Tang Dynasties, the pursuit of homosexuality of the pen together to form a literary grace and elegance in the final literary style, Wang Chong’s cumbersome style of calligraphy and writing, Their own practice to resist the early Ming Dynasty “Taiwan Pavilion ” style of writing, reversed “Taiwan Pavilion ” style shrouded monotonous aesthetic taste of calligraphy, become the mainstream of Ming Dynasty calligraphy development, this article tries to from Wen Zhengming, Wang Pet two small capitals to create techniques and works of art perspective, analysis of their lowercase style and characteristics.