本文试图探寻通过文学描述对象的限度,以及透过文学作品进行自我认识的可能性,并结合两篇西方作者眼中的他者世界进行分析;阐明一切作品都是主客体相互阐释的结果,不存在完全客观的描写。要“去蔽”般地认识文学作品,就必须将其置于产生文本的文化背景,同时改变传统的语言观,这也是外文学习应该采取的进路。 This article attempts to explore the limits of describing objects through literature and the possibility of self-awareness through literary works, combining with the analysis of two other Western authors in the world of the Other. It is clarified that all works are the result of mutual interpretation between subject and object, Completely objective description. To understand literature literally, it must be placed in a cultural context that produces the text, while changing the traditional view of language. This is also the way that foreign language learning should take.