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版画在中国艺术门类及美术史中均占有不可或缺的地位,而藏族的雕版艺术更是以其独特的艺术表现力和区域文化特征独树一帜,是我国藏文化和印刷史的重要组成部分,在佛教的渐入、传播、发展和藏化过程中发挥了非常重要的媒介作用,堪称雪域高原的艺术奇葩。以中国版画艺术的整体视域,采用历史文献与民族人类学相结合的研究方法,并运用美学中的形式美理论,试图挖掘和解读藏族雕版艺术内在的独特的美学内涵和区域民族文化特征。
Printmaking plays an indispensable role in both the Chinese art genre and the history of art. The Tibetan carving art, which is unique to its unique artistic expression and regional cultural features, is an important part of our Tibetan culture and printing history. Buddhism has played a very important media role in the process of gradual penetration, dissemination, development and possession of Tibetan Buddhism. It is a wonderful flower in the snowy plateau. Taking the overall view of Chinese print art, this paper adopts the research method of combining historical documents with ethnographic anthropology, and uses the formal beauty theory in aesthetics to try to discover and interpret the intrinsic unique aesthetic connotation and regional national cultural characteristics of Tibetan engraving art.