褚遂良《雁塔圣教序》,通篇凡廿一行,每行四十二字。除一、二两行及未二行有空格外,正文中字距略大于行距,每字周围空间较大。纵成行横成列,通篇匀停、统一,点画谐调,结构严谨。一般情况下,这样的章法布局容易给人以正襟危坐,不愈规矩乃至单调刻板的印象,但通观全帖却 Chu Sui-liang, “Wild Goose Pagodas,” where all twenty-one line, each line forty-two words. Except for one, two or two lines and not available space, the kanji is slightly larger than the space in the text, with larger space around each word. Longitudinal line Hengcheng column, throughout the uniform stop, unity, dotted harmony, rigorous structure. Under normal circumstances, the layout of such a rule easy to give people sit tight, unruly and even monotonous stereotypes, but through the whole post is