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怎么用写意山水的形式来表现出各自民族文化内涵内心思想,黄格胜个案就是个很好的例子,历年来也有不少学者以不同角度进行研究分析,而本文笔者拟采用风格学、美术学、历史学等研究方法着重分析黄格胜各艺术层面的因果,达到揭示其暗含的艺术审美规律。重新研究其内在审美特质,认识梳理山水画艺术的特征性,借鉴和吸收西方绘画审美的同时,注重对中国传统文化艺术精神的继承与再造,在绘画精神上更好地表现人性本身的情感化与自由意识,对中国山水绘画深度解读,整合传统和当代,衍生出与时代精神相对应的艺术气质,在山水画蓬勃发展的今天,疏理,通过分析黄格胜艺术个案的脉络丰富了我们在学习和研究山水画在中国画发展进程中资源,同时,无论是对于艺术院校山水画教学,还是对于山水画史梳理都是个十分值得探讨的课题以及在中国山水画艺术前进发展道路上的探索具有启发和借鉴意义。中国山水画,此类绘画在中国画的当代发展中是最具想象力、极具启示性、极具挑战性
How to express the inner thoughts of their own national culture connotation in the form of freehand landscapes, Huang’s case is a good example. In the past years, many scholars have conducted research and analysis from different angles. However, the writer intends to adopt the style, art and history And other research methods focus on analysis of the artistic causation of Huang Gesheng to reveal its implied art aesthetic law. Reexamining its intrinsic aesthetic qualities, recognizing the characteristics of the art of landscape painting, drawing lessons from and assimilating the aesthetic of western painting, paying attention to the inheritance and reconstruction of the traditional Chinese culture and art spirit, better expressing the emotionalization of human nature in the spirit of painting Free consciousness, the depth interpretation of Chinese landscape painting, the integration of the traditional and contemporary, derived from the spirit of the times corresponding to the artistic temperament in landscape painting thriving today, through analyzing the context of Huang Gesheng art case enriched our study and research Landscape painting is a resource in the process of Chinese painting development. At the same time, it is of great value for both the landscape painting teaching in art schools and the history of landscape painting, as well as the exploration on the development of Chinese landscape painting. Chinese landscape painting, such paintings in the contemporary development of Chinese painting is the most imaginative, very enlightening, very challenging