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“文化”一词在《易经》中描述为“观乎人文,以化成天下”。文化则包含有形的知识教化,以及无形的精神感悟。在人类文明的传承之中,祖先们刀耕火种,结绳记事,人文活动与自然界密不可分。随着工业文明步伐的进入,生态的破坏给人类带来生存的考验,这就需要人们协调人工环境和自然环境的关系,景观设计也随即而生。在人文文化和人工环境交织下,景观文化在其空间形态中扮演者重要角色,而在新农村文化建设之中,景观文化元素渗透着人文足迹,人文足迹也影响着公共景观文化。对于新农村公共艺术景观的建设,在设计中更应发掘光大本土文化,使之成为乡村文化的展示阵地,使“公共艺术”丰富乡村文化,拓展民众文化生活,促进农村精神文明建设。
The term “culture” is described in “Book of Changes” as “outlook on humanity in order to become the world”. Culture includes tangible knowledge enlightenment, as well as intangible spiritual insights. In the inheritance of human civilization, ancestors slash and burn, knot rope notes, human activities and nature are inseparable. As the pace of industrial civilization enters, the destruction of ecology has brought the test of human existence. This requires that people should coordinate the relationship between the artificial environment and the natural environment, and the landscape design will come into being. Under the interweaving of humanities culture and artificial environment, landscape culture plays an important role in its spatial form. In the new rural culture construction, the elements of landscape culture permeate the humanistic footprint, and the humanistic footprint also affects the public landscape culture. For the construction of public art landscape in new rural areas, we should also explore the local culture of Guangda University in the design so as to make it an exhibition venue for rural culture so that “public art” can enrich rural culture, expand people’s cultural life and promote the construction of rural spiritual civilization.