中国杂技艺术经过数千年的沉淀与发展,已经由民间走向宫廷、从宫廷走向春晚舞台、从春晚舞台走向国际舞台,它已经发生了颠覆性的结果。特别在改革开放的三十年来,在文艺大改革大繁荣的过程中,由过去单一的表演形式发展到多元表演形式,大大地提升了杂技本体艺术的品位。 After thousands of years of sedimentation and development, the art of acrobatics in China has moved from the private sector to the court, from the court to the Spring Festival Gala stage, and from the Spring Festival Gala stage to the international stage. It has already had a disruptive result. Especially in the thirty years since the reform and opening up, in the course of the great reform and prosperity of the arts and culture, the single form of performance has been developed to diversified forms of performances, greatly enhancing the taste of acrobatic ontological art.