论文部分内容阅读
在《法国中尉的女人》中,约翰·福尔斯成功地戏仿维多利亚小说创作方式几乎已是文学研究者们的共识,因为把《法》与查尔斯·狄更斯以及勃朗特姐妹等大师的维多利亚经典小说稍作对比即可发现《法》无论是在情景设置,人物刻画以及主题表达上都有着许多惊人的相似之处。但是,福尔斯在戏仿维多利亚小说的同时,也有意识地与其保持了一定的距离,这种几乎完美的距离,从什克洛夫斯基的陌生化理论看来,恰好是《法》的成功之处与美学价值所在。
In “The French Lieutenant’s Woman,” the successful imitation of Victorian fiction by John Fowles is almost a consensus among literary researchers, because the connection between the Law and Charles Dickens and the Bronte Sisters and other masters Victorian A short comparison of classic novels reveals that “law” has many striking similarities in terms of scene setting, characterization and theme expression. However, while imitating Victorian novels, False also consciously kept a certain distance from him. This almost perfect distance, according to Shklovsky’s defamiliarization theory, happens to be “law” Where the success and aesthetic value lies.