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玛丽娜·卡尔汲取爱尔兰中西部地区的传统文化养分,继承20世纪爱尔兰女性剧作家的创作传统,冷视“凯尔特之虎”的盛世景象,思考和回击爱尔兰历史对女性话语、书写的压制和遮蔽,尝试以古希腊悲剧为原型,构建当下语境中的爱尔兰女性生存景观。本文考察卡尔依托欧里庇得斯名作《美狄亚》创作的剧本《猫原边……》,旨在探究其如何聚焦爱尔兰流浪族群中女性的身份认同及感情困局,拆解与嘲弄传统男权叙事模式,展现爱尔兰女性的艺术创作与生存境况。
Drawing inspiration from the cultural tradition of the Irish female playwomen in the 20th century, Mary Carle draws on the traditional culture and nutrition in the Midwest of Ireland and ignores the flourishing scene of Celtic Tiger. It also reflects on and refrains from Irish history on women’s discourse and writing Suppression and shelter, try to use the ancient Greek tragedy as a prototype, to build the current context of Irish female living landscape. This article examines the play “Cat Origin ...” written by Cardinal Euripides masterpiece “Medea” to explore how it focuses on the identification of women in Ireland’s wandering ethnic groups and emotional difficulties, dismantling and ridiculing traditional patriarchal powers Narrative mode, to show the Irish women’s artistic creation and survival of the situation.