名山大川步入荧屏，大多归于风光片类。选题庐山，最初也想去循这一类电视专题作品的思路与风格；但最终确定的创作方向却是尝试以风光为题材，走出风光片的模式，力图创出一些新意来。人人皆知“不识庐山真面目”这句诗。摄制《庐山》，既是寻访庐山“真面目”的历程，也是在 Into the screen into the mountains, most of the scenery class. Topic Lushan, initially also want to follow this type of television works of thought and style of writing; but the final creative direction is to try to scenery as the theme, out of scenery film mode, trying to create something new. Everyone knows that “I do not know the true face of Mount Lu” this verse. Filming “Mount Lushan” is not only a journey of looking for “true colors” of Mount Lushan, but also