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大多数人类学家、戏剧学家都相信戏剧的起源与宗教或神话仪式密不可分,甚至戏剧直接就是从远古的仪式、祭典中蜕变、发展而来的。本文无力深入如此高远的理论探讨,只想就一个较小的角度从当代某些话剧的现象中采撷一些例子作为话剧仪式化理论的佐证。或许未必确切,但却是不容抹杀的实践佐证。试想想,当你观赏《麦克白》时,一群女巫推着沸腾的汤锅在剧场内飞跑,一只只活蹦乱跳的小动物被扔进汤锅,将会是何等惊心动魄的感觉。毫无疑问,不管戏剧是否真的起源于仪式,戏剧都是最接近干仪式的艺术形式。而动物的出现更加加重了仪式化的份量。
Most anthropologists and theater theaters believe that the origins of drama are inextricably linked with the rituals of religion or mythology. Even drama directly evolved and evolved from ancient rituals and ceremonies. This article can not afford to go deep into such a lofty theoretical discussion, just want to take a small perspective from the phenomenon of some contemporary plays pick some examples as evidence of the theory of the ritual of drama. Perhaps not exact, but it can not be denied the practice of evidence. Imagine, when you watch “Macbeth”, a group of witch flying in the boiling pot boiling in the theater, a small animal was thrown into the pot, it would be such a soul-stirring feeling. There is no doubt that drama is the art form closest to dry rituals, whether or not theatrical origins in rituals. The emergence of animals more aggravate the ceremonial weight.