当《故宫》这样一部讲述物质文化遗产历史的纪录片在中央电视台黄金时段播出并获得出人意料的高收视率时“,人文纪录片”的黄金时代似乎正在到来。但是,如果我们把归入“人文纪录片”这一笼统名称下的纪录片稍做分辨,就会发现其制作动机、调动资源和整合效果上的差异。相比之下 When the “Forbidden City” such a documentary about the history of the material and cultural heritage aired on CCTV prime time and received a surprisingly high audience rating, “the Golden Age of Humanities Documentary” seems to be coming. However, if we make a slight distinction between the documentary films under the generic name of “humanities documentaries,” we will find differences in the motivation for their motivation, resource mobilization and integration. In contrast