本文是一篇盖蒂研究院当代艺术和建筑系顾问格伦·R·菲利普斯与《国际时尚艺术》杂志的洛杉矶编辑帕特里克·斯蒂芬对美国两位重要的女权主义艺术家埃莉诺·安廷和朱迪·芝加哥进行的访谈。在文中,两位艺术家回顾了女权主义运动刚刚在美国兴起时的社会环境,以及自己创作的亲身历程。两人共同的左派背景,以及对传统中认为女性对历史毫无贡献的观点的质疑,都成为埃莉诺·安廷和朱迪·芝加哥创作的源泉和动机,她们用自己的作品对西方的男性中心主义进行了辛辣地嘲讽和持久地攻击,提出了与男性世界中竞争原则截然对立的共同协作、互相支持等女权主义原则。由于两位艺术家长期而重要的创作,她们成为了西方当代女权主义艺术家中的重要人物。 This article is an interview with Glen R. Phillips, consultant for the Department of Contemporary Art and Architecture at Getty Research Institute, and Patrick Stephen, Los Angeles editor of International Fashion Art magazine, on the two major feminist artists, Eleanor Antin, Interview with Judy Chicago In this article, the two artists reviewed the social environment in which the feminist movement was just emerging in the United States and the personal history of its own creation. The common left-wing background and the doubts about the traditional view that women do not make any contribution to history have become the source and motivation for the creation of Eleanor Antin and Judy Chicago, who use their works to criticize Western Male-centrism has been tauntingly and persistently satirical and has proposed the principles of feminism, such as mutual cooperation and mutual support, which are diametrically opposed to the principle of competition in the male world. Due to the long-term and important creation of the two artists, they have become important figures in Western contemporary feminist artists.