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楚歌体诗是汉代诗歌当中极有时代个性的一类,其兴盛与衰落的演变过程对于全面考察汉代各类诗体的流变自然有着重要的意义。本文即从作者群体方面对此问题予以讨论。汉代楚歌体诗的演变过程,与作者群体的不断扩展、渗透紧密相关:汉初因为统治者的喜好,使得楚歌在宫廷之中颇为流行;其流风所及,皇室宗族及王侯也多为之;此后,这种风尚不断蔓延,一直向社会的中下层渗透,士人、大夫乃至将士、戍卒也以楚声抒发情怀,从而将楚声的兴盛一直引向了普通民众。情感方面,“悲情”的传统则成为汉代楚歌体诗的总体指向。
Chu Song Style Poetry is one of the most epochal personalities in Han Dynasty poetry. The evolution of its prosperity and decline is of great significance for a comprehensive examination of the rheological nature of all kinds of poetry in the Han Dynasty. This article is from the author group to discuss this issue. The evolution process of Chu song body in Han Dynasty is closely related to the continuous expansion and infiltration of the author group. In the early Han Dynasty, because of the preference of the rulers, Chu song was quite popular among the court. The flow of the wind, royal clan and princes Since then, this trend continues to spread, has been infiltrating to the lower and middle levels of society, scholars, doctors and even soldiers, Zuzu also expressed their feelings in Chu, thus the prosperity of Chu always lead the ordinary people. In emotion, the tradition of “sadness” became the general direction of Chu song body poem in Han Dynasty.