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《荀子·礼论》云:“无伪则性不能自美。”似乎道出了虚构、夸张对于艺术创造的重要意义,并且这一思想源自对西周礼乐“演诗”1艺术实践的总结,因此“演诗”艺术成为中国早期艺术形态研究以及文学思想研究无法回避的课题,而且由于祭祀演诗是西周礼乐活动中最具代表性的部分,艺术呈现也至为隆盛,对于中国早期艺术形态研究具有特殊价值,故笔者略述一二。通神祈福是远古祭祀仪式兴盛的根本目的,因此“动天地,感鬼神”的神秘氛围营
“Xunzi Li Lun” said: “There is no pseudo-nature can not be self-evident.” “It seems that tells the fiction, exaggeration for the artistic creation of the important significance, and this idea stems from the Western Zhou Dynasty music Therefore, ”poem “ art has become an unavoidable subject in the study of Chinese early art form and literary thought. Moreover, since poetic sacrificial poems are the most representative part of the Western Zhou ritual music activities, As Longsheng, for the study of early Chinese art has a special value, so the author briefly one or two. The blessing of God is the fundamental purpose of the ritual of ancient rituals, so the mysterious atmosphere camp of ”moving heaven and earth, ghosts and gods"