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中国山水画的发展创新,一直是在山水画家们求新求变的思潮下进行的,是中国山水画家们始终坚持不懈地继承传统又融会贯通世界其他艺术形式的结果,其中名家辈出、流派纷呈,开创了中国山水画自隋唐两宋以来发展的又一个辉煌时代。当然在借鉴的过程中求新求变也使得中国山水画在急功近利的大潮中出现了很多问题,本文从高等艺术学院山水画教师在培养人才方面的误区以及画院的社会职能方面的弊端展开研究,来进一步阐述,只有对传统中国画进行踏实认真的学习研究,才能更好的继承和发展中国山水画,创造更新颖的山水画图式。
The development and innovation of Chinese landscape painting has been carried out under the trend of novelty and change of landscape painters. It is the result of Chinese landscape painters who unswervingly inherit the tradition and integrate with other forms of art in the world. The Chinese landscape painting since the Sui and Tang dynasties since the development of another brilliant era. Of course, in the process of borrowing for inspiration, many innovations and changes have also caused many problems in the tide of quick success and shortcoming of Chinese landscape painting. This article studies from the misunderstanding of landscape art teachers in higher arts college in terms of personnel training and the social functions of the academy, To elaborate, only by carrying out practical and earnest studies on traditional Chinese paintings can we better inherit and develop Chinese landscape paintings and create more innovative landscape drawings.