十五年前,当电视的阴影开始投向电影而电影还丝毫没有感受到它的威胁、仍然兴高采烈地大谈电影语言的革新时,我的“第六感觉”告诉我,应当提醒一下有关领导早早注意电影和电视的关系,切莫重蹈好莱坞的覆辙,打一场影视之战,弄得电影死里逃生,大病一场。当时我在《世界电影》1981年第4期上写了一篇题为《一场错误的战争:回顾美国电影和电视的矛盾》的文章,指出电影和电视在艺术上本是一家,“根本不存在由于艺术原因而不适合在电视上播映的影片”,只要在商业操作上协调得当,不仅两者可以共存共荣,而且还能互相帮助提挈。遗憾的是这篇文章不仅没有起到什么正面作用,反而招来了“大电影主义”之类的非议。影视界的一些理论家们挖空心思地替电视找出它的“美学特 Fifteen years ago, when the shadow of television started to go to the movies and the movie did not feel the slightest threat to it and happily talked about film language innovations, my Sixth Sense told me that the relevant leaders should be reminded early Pay attention to the relationship between film and television, do not repeat the mistakes of Hollywood, playing a war of film and television, making the movie escape, a serious illness. At that time I wrote an article entitled “A Wrong War: A Review of the Contradictions between American Film and Television,” in the fourth issue of World Film, 1981, pointing out that the art of film and television is a “basic There is no film that is not suitable for showing on television due to artistic reasons. ”As long as it is properly coordinated in business operations, not only can both coexist and co-exist, but they also help each other. Unfortunately, this article has not only failed to play any positive role, but provoked “big movie doctrine” and the like. Some of the theorists in the field of film and television are working hard to find out its “aesthetics” for television