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马立鞭同志在《也谈蒙太奇的老祖宗》(载《山花》82年12期)中认为,蒙太奇的老祖宗应该到“中外诗歌比方我国的古典诗词里去寻找。”并认为蒙太奇是“诗歌艺术向电影的‘输入,。”这种看法是值得商榷的。简而言之,蒙太奇就是电影镜头组接的技巧。一般都认为格里菲斯的“平行蒙太奇”是它的发端。格里菲斯1908年在《许多年以后》
Comrade Ma Lipian said in his article titled “Talk about montage of ancestors” (“Mountain Flowers” 82-12) that montage of ancestors should go to “Chinese and foreign poetry, such as our classical poetry to look for.” And that montage is “ The poetic art’s input to the movie is debatable. In short, montage is the cinematic technique of group cinematography. It is generally believed that Griffiths ”parallel montage“ is its starting point. Griffith in 1908 ”many years later"