詩詞唱和從本質上來說是一種文學交往行爲,且是複合型的文學交往行爲。其中唱和夥伴兼任創作者與接受者的文學職能,比單向度的文學交往活動更有利于文學的創造和再創造、發展和演進,也更有利于擴大文學的聲勢和影響。唱和活動的交往手段是詩詞作品,因此唱和之作受到交往關係的限制,和作必須與唱作具有關聯性。和意、和韻都是唱和作品關聯性的體現,對和韻之作未可一味否定。唱和夥伴的文學交往與日常交往分別構成唱和的文學環境與生活環境,二者相互作用、相互影響。生活環境對文學環境的積極作用在于可以建構和擴大優雅文學環境,消極作用在于過分干預文學環境,使唱和之作淪爲應酬之作。文學環境對生活環境的積極作用在于其可以超越生活、改善生活,消極作用在于消磨人的社會責任感。 Singing and singing is essentially a literary exchange behavior, and is a complex type of literary interaction. Among them, the literary functions of singing and composing both the creator and the receiver are more conducive to the creation, redevelopment, development and evolution of literature than the unidirectional literary exchange activities, and are also more conducive to expanding the momentum and influence of literature. The means of communication between singing and activities are poetry works. Therefore, singing and writing are restricted by the relationship of communication, and writing must be related to singing. And Italy, and rhyme are the embodiment of the relationship between singing and works, can not blindly denied the rhyme. Singing and partners’ literary exchanges and daily interactions respectively constitute the literary environment and the living environment of singing and singing. The two interact and influence each other. The active role of the living environment in the literary environment is that it can construct and expand the elegant literary environment. The negative effect is that it unduly interferes with the literary environment and renders the singing and writing into social works. The positive impact of literary environment on living environment lies in that it can surpass life and improve life, and the negative effect lies in the social responsibility of eliminating human being.