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J·C·陈多尔两年前的导演处女作《商海通牒》以复杂的角色关系和纷繁的商海混战,奉献出一部群星闪耀的优质剧情片。如今,他的这部“久违”的新作《一切尽失》却来了个一百八十度的大转弯。影片中仅仅有孤零零的一个角色,讲述老罗伯特·雷德福在大海上迷失后,为了生存而与大自然拼争的故事。并且,台词寥寥无几,且漫无目的。影片整体所呈现出的过分的简单化,犹如一幅抽象画,让观众在极简的风格中尽情发挥。而电影中唯一的主演罗伯特·雷德福几近超越舞台剧一般的表演方式,予己以肢体甚至肉体的严峻考验,同时赋予观众一种别样的观影体验。
JD Cindor’s directorial debut two years ago, “Shang Hai Tong 牒” with a complex relationship between the roles and numerous commercial sea fighting, dedication of a starring high-quality feature films. Today, his “long lost” new work “Everything Lost” comes a 180 degree turn. Only a solitary role in the film, tells the story of old Robert Redford lost in the sea, in order to survive and fight with nature story. And, few lines, and aimlessly. The over-simplification of the film as a whole is like an abstract painting, which allows the audience to enjoy the minimalist style. The only actor in the movie, Robert Radford, nearly goes beyond the normal performance of theatrical performances, giving him a severe test of limbs and even the flesh, while giving the audience a different kind of viewing experience.