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台湾近10年的国乐生态,几乎呈现两极发展现象。一方面,专业国乐团纷纷成立,票友文化却渐渐凋零;大陆资讯骤然开放,迫使圈内权威面临重组,伴随解严而来的大陆热至今未衰,而学界本身的本土思索则不受重视;传播媒体的报导虽大量增加,学习国乐的人口仍渐形萎缩。而跟以上一切大幅度变动轨迹相对应的是,音乐教育十年来纹风不动,把音乐跟
In the recent 10 years, Taiwan’s music ecology has shown almost the phenomenon of bipolar development. On the one hand, professional national orchestras have been set up one after another, while the culture of farers has gradually dwindled. The sudden opening up of mainland information has forced the reorganization of the authority in the circle. The Mainland’s heat with its solution has not declined so far, while the local academic itself has not taken seriously. Although the media coverage has increased substantially, the population of learning Chinese music is still shrinking. And with all the above changes in the trajectory of a substantial change is that the music education pattern ten years moving, the music with