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新中国成立之初,百废待新,巩固新政权当然是第一位的。在画坛,首先开展的是新年画运动,因为这是能够直接体现毛泽东倡导的文艺为人民服务思想的。中国画面临着一次新的抉择和改造。徐悲鸠说:“艺术需要现实主义的今天,闲情逸致的山水画,尽管它在历史上有极高的成就,但它不可能对人民起教育作用,也并无其他积极作用。”这在今天看来明显失之偏颇的论点,正是当时社会背景和观念的真实反映。山水画的唯一出路直面真山水。山水画的改造就是以风景写生为发端的。这一时期,不少画家都开始了“出新”的路,但普遍存在的问题是,新内容与传统形式的不相协调,许多作品不是内容出不了新,就是内容虽新却失去了笔墨不像中国画了。1954年北京的“李可染、张仃、罗铭水墨写生画展”,就是山水画改造的起初成果。
At the very beginning of the founding of new China, it was of course the first to abandon new ones and consolidate the new political power. In the art scene, the New Year’s picture movement is the first to be carried out because it directly embodies the literary and art work advocated by Mao Zedong and serves the people. Chinese painting is facing a new choice and transformation. Xu Bei Jiu said: “Art needs realism today, leisurely landscape painting, in spite of its historic achievements, but it can not play a role in education for the people, but also no other positive effect.” It seems obvious today The misconduct argument is the true reflection of the social background and concepts of the time. The only way to landscape painting is really landscape. Landscape painting is the transformation of landscape painting as the starting point. During this period, many painters started the “new” path. However, the common problem is that the new content is incompatible with the traditional one. Many of the works are not new in content but new in content, Unlike Chinese painting. In 1954, Beijing’s “Li Keran, Zhang Ding and Luo Ming Ink and Wash Painting Exhibition” was the initial achievement of landscape painting.