论文部分内容阅读
应制诗作为以皇室为主导唱和诗的主要形式,在汉武帝的柏梁联句中就初露端倪,因武帝酷爱文学,所以常常主导宫廷唱和,在随后的三国两晋南北朝时代,这种唱和在宫廷非常流行。至初唐,这种集体性、功利性与交际性的风气日益趋盛,经过皇帝及学士的不断深化,应制奉和空前繁荣。杨慎在《升庵诗话》卷八中指出:“唐自贞观至景龙,诗人之作,尽是应制。”从秦府的十八学士、弘文馆学士、北门学士、珠英学士直至景龙学士,组成了一个绵延不断的诗人
As the main form of singing and poetry dominated by the royal family, the poetry should be made in the first place in the poem of Lianglian in the Han Dynasty. Because of the love of literature, the Wu dynasty often dominates the court to sing. In the subsequent Three Kingdoms, Northern and Southern Dynasties, Court is very popular. By the early Tang Dynasty, the collective, utilitarian and communicative culture became increasingly prosperous. Through the continuous deepening of the emperor and bachelor, it should serve and unprecedented prosperity. Yang Shen pointed out in Volume Eight of Sheng Shi Huan Shi: “From Tang Dynasty Zhenguan to King Long, the poet’s works are all due systems.” "From the 18th Bachelor of Qin House, Bachelor of Hongwen Hall, Bachelor of North Gate, Bachelor until King Long Bachelor, formed a continuous poet