古风,是一种历史文化视角的绘画体验。在数千年中国绘画传统中,摹古、复古主导了文脉的延续性。摹古者揣摩旧迹,追求能于精神意象之间,如我意之所欲出的境界。复古者则总结钩沉古代文化,如赵孟頫之崇晋唐、追汉风,贵古意、开新风。复古、摹古所求乃古法、古神,法、神皆备转而革古。在现代画坛上,革古的诉求归结为熔铸中国气派的时代课题,其难点归根还是如何把握与坚守古风。 Archaic, is a historical and cultural perspective of the painting experience. In the tradition of Chinese painting for thousands of years, G & C dominates the continuity of the context. Mogu try to figure out the old track, the pursuit of spiritual image, as I wish out of the realm. Retro those who summarize the ancient hook hook Shen culture, such as Zhao Meng and Jin and Tang Dynasties, chasing the Han style, your ancient meaning, open the fresh air. Retro, Mogu seek is the ancient law, the ancient god, law, God is ready to turn the ancient leather. In the modern art scene, the demands of leather ancient society boil down to the era of casting Chinese style. The crux of the matter lies in how to grasp and stick to the old style.