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引言祁志龙作为中国“后波普”艺术现象的代表人物之一,其对“后波普”现象的启蒙意义具有历史性的研究价值。“后波普”艺术现象是自1992年之后,中国社会全面向以西方商品经济模式转化之后迅速出现的一个普遍的艺术思潮。
Introduction As one of the representative figures of the post-Pop art phenomenon in China, Qi Zhilong has historical research value on the enlightenment significance of the post-Pop phenomenon. “Post-Pop ” The phenomenon of art is a universal trend of art that emerged rapidly after 1992 after the Chinese society was fully transformed into a western commodity economy.