在欧阳德顺的画中,少有采菊东篱的疏离,更不会有不食人间烟火的虚远。他喜欢画川西的山峦、村落、小溪、林盘,即使画大山,也画放牧的所在、朝觐的圣地。他的画大多沒有显眼的地标符号,也少有惯常的陈法铺排,却常常在画面中生发出一种阳光感,毫不吝啬地穿透山巅和村落,固执地披露出一种对美好的追求。像《高原风情》、《秋牧》这些画,笔墨中那种以动发力,以变生风的构架,特别灵动简约,水墨的潇洒放达好像蕴藏着一种张扬的精神。你能大致地窥视出他是如何从 In the picture of Ouyang Deshun, there is very little alienation of Chrysanthemum, not to mention the fakeness of not eating human fireworks. He likes to paint the mountains, villages, streams, and Linpan in western Sichuan. Even if he draws mountains, he also paints grazing sites and pilgrimage sites. Most of his paintings do not have conspicuous landmarks and unusual customs. However, they often give birth to a sense of sunshine in the pictures and do not hesitate to penetrate the mountains and villages, stubbornly revealing something beautiful The pursuit of Such as “plateau style”, “Autumn,” these paintings, brushstrokes in the kind of force to force the wind to change the framework, in particular, Smart and simple, elegant ink and wash down seems to contain a publicity spirit. You can roughly see how he is from