主体间性是西方思想界的最新成果,20世纪末传入中国以来,以后实践美学为代表的主体间性美学最终取代了主体性美学的主导地位。主体间性通过对文学领域的考察,也已确立为人文科学的理论前沿,但其在艺术领域的应用目前仍是学术空白。主体间性思想结合“十八大”报告“美丽中国”三重内涵,用以指导城市公共景观艺术创作和实践,进行社会学、认识论和存在本体论三个理论层次的深刻剖析,既是景观艺术的理论研究和学术拓展,同时也实现了 Intersubjectivity is the latest achievement of the western thought world. Since its introduction into China at the end of the 20th century, intersubjective aesthetics represented by practical aesthetics eventually replaced the dominant position of subjectivity aesthetics. Intersubjectivity through the field of literature, has also been established as the theoretical frontiers of the humanities, but its application in the field of art is still an academic gap. The inter-subjectivity combines the three connotations of “18th National Congress” and “Beautiful China” to guide the creation and practice of urban public landscape art, to conduct a profound analysis of the three theoretical levels of sociology, epistemology and existential ontology, Both the theory of landscape art and academic research, but also achieved