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当众多的历史题材或体裁的电影在我们这座城市接二连三地上映时,回过头来说说历史(以及历史与艺术的关系)也许是必要的。显然,这里所说的历史题材或体裁的电影不应该包括水袖长裙翻卷的《梁祝》戏说,也不应该包括同我们当下的时代境遇未能保持足够时间间距的《阳光灿烂的日子》或《红樱桃》。因此,此段时间倍受争议的影片《秦颂》,在我们本次的讨论中便具有了特别的意义。我们应当如何来解说《秦颂》呢?当秦始皇和高渐离这两个众所周知的历史人物作为主角出现在影片中时,作为观众的我们自然而然地会产生对那个时代的历史氛围、环境和背景进行还原的某种期待心理。而一个不容否认的事实就是对历史进行还原客观上存在着形形式式的疑难,这只要从极其微末细小的青砖红瓦残铜断玉的考古发现都会引起历史学家的知识兴趣等等现象中就可得到另一向度上的印证。历史还原的疑难归根结底源自于历史间距的
When numerous films of historical themes or genres are released one after another in our city, it may be necessary to return to history (and the relationship between history and the arts). Obviously, the films of historical themes or genres mentioned here should not include the “Liangzhuo” drama in which the sleeves are scrolled through or the “sunny day” or the “sunny day” that fails to maintain a sufficient time gap with the current situation of our time. Red cherry. “ Therefore, the controversial film ”Qin Song“ during this period of time has a special significance in our discussion. How should we explain ”Qin Song?" When the two eminent historical figures such as Qin Shi Huang and Gao Jianzu appeared in the film as protagonists, we, as audiences, naturally produced the restoration of the historical atmosphere, environment and background of that era Some kind of looking forward to the psychological. And an undeniable fact is the restoration of history. There are objective and objective problems in form and form. As long as the archaeological discoveries from the extremely small green tile red tile ruins of broken jade arouse the interest of historians, etc. You can get another proof on the degree. The root causes of the historical recovery from the historical distance