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都市与乡土的空间经验在鲁迅的内部从对峙发展到激烈的交锋,撞击出一种关乎孤独、闭塞感的文学语境,形成了鲁迅作品中独特的空间想象。就此而言,短篇小说《端午节》切近地表现了都市环境与乡土意识形态共存的特殊空间和知识分子在此空间中的尴尬,方玄绰的“差不多”论曲折地隐括着当时投影在鲁迅想象中的城市寓言。本文还从空间想象的角度考察了爱罗先珂的影响在《端午节》创作中的体现。
The spatial experience of both urban and rural areas developed from confrontation to fierce confrontation within the interior of Lu Xun and hit a literary context that is both lonely and obstructive, forming a unique space imagination in Lu Xun’s works. In this regard, the short story “Dragon Boat Festival” shows the special space in which the urban environment and the local ideology coexist and the embarrassment of intellectuals in this space. Fang Xuanzhuo’s “Almost” theory turns a blind eye to the The Urban Fable projected in Lu Xun’s imagination. This article also examines the influence of Ailuo Xianke in the creation of “Dragon Boat Festival” from the perspective of space imagination.