在电影中引用绘画亦不鲜见,如塔可夫斯基的《安德烈卢布廖夫》,Derek、Jarman的《卡拉瓦乔》,再如伦勃朗、维米尔等荷兰画家对于Peter Greenaway的影响。美国画家Edward Hopper的绘画亦同电影有着千丝万缕的联系。尽管关于他的研究资料里并未提及电影对他的影响,不过在他的不少作品,尤其是以城市生活为主题的作品中运用了摄影机的视角,类似电影场景的构图,以及“黑色电影”式的光线。他影响了希区柯克、文德斯、贾木许、Terrence Malick等诸多导演;奥地利导演Gustav Deustch甚至直接将13幅Hopper的画作搬上银幕,并用一个虚构的女性角色——雪莉——串联,演绎从二十世纪三十年代至六十年代 It is not uncommon to quote paintings in the movies, such as “Andrey Lubliov” by Tarkovsky, “Caravaggio” by Derek and Jarman, and Dutch painters such as Rembrandt and Vermeer for Peter Greenaway Impact. American artist Edward Hopper’s paintings are also inextricably linked to the film. Although there is no mention of the impact of the film on his research material, his use of the camera perspective, composition of a movie scene, and many other works, especially those focusing on urban life, Black movie "type of light. He influenced many directors such as Hitchcock, Wenders, Jammu and Terrence Malick and Austrian director Gustav Deustch even went directly to the screen of 13 Hopper paintings and used a fictional female character, Shirley, Tandem, deduced from the thirties to the sixties of the twentieth century