戏曲命运孰存孰亡是个谈不完的话题,只要戏曲还存在,这个话题大概会永远谈下去。想想也悲哀,一个人活着,要是总有人咒他死,该是什么样的滋味?戏曲却在饱尝着这种煎熬。 近读马也《当代戏剧命运之断想》(载《中国戏剧》2003年6期,以下简称《断想》),有一股说不出来的滋味。《断想》并没有给戏曲的生死存亡下最后的判决,但它给戏剧下了一个 The survival of the drama fate is an endless talk of the topic, as long as the opera still exists, this topic will probably talk about forever. Think sad, a person alive, if there is always someone cursing him to death, what is the taste? Drama is full of such suffering. A close reading of Ma also “the fate of contemporary drama” (contained in “Chinese drama” 2003 6, hereinafter referred to as “think”), there is an unforgettable taste. “Imagination” does not give the final verdict of the life and death of the drama, but it gives the drama a