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版画与造纸术、印刷术一样,都是我国古代文明的重大发现,并已经惠及到全世界人民。版画的种类很多,有凹版、凸版、平版、孔版、综合版、独幅版画,其中凹版有:铜板;凸版有:黑白木刻、水印木刻、套色木刻、饾版、雕版等;平版有:石版、珂罗版;孔版有:丝网版等。在众多类版画中我最喜欢、最擅长的是黑白木刻,本文是通过多年对黑白木刻版画的学习与实践中得到的一些经验,整理后进行简要的分析,主要是针对在黑白木刻版画的创作中刀法的组织与应用,结合了一些个人观点与在创作过程中所遇到的一些问题和问题的解决,提出一些合理化的、具有可实施性的建议。希望能通过本文一些观点的阐述跟创作中的心得、体会来提升自己的同时也能帮到对黑白木刻感兴趣的人。
Printmaking, like papermaking and printing, are all major discoveries of ancient civilizations in China and have benefited people all over the world. There are many types of prints, gravure, letterpress, lithography, hole version, integrated version, the only version of the engraving, including intaglio: copper; letterpress: black and white woodcut, watermark woodcut, Ke Luo version; hole version: screen version. In many kinds of print my favorite, the best at black and white woodcut, this article is through years of black and white woodblock print learning and practice of some of the experience obtained, after finishing a brief analysis, mainly in the black and white woodcut engraving creation The organization and application of Zao Dao, combined with some personal opinions and the solution of some problems and problems encountered in the creative process, put forward some reasonable and feasible suggestions. Hope that through some of the views of this article with the experience of creation, experience to enhance their own but also to help those who are interested in black and white woodcut.