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文艺作品是社会意识的直接反映,电影是社会思想的审美投射,艺术审美趋向的改变往往受制于现实环境的变迁以及创作者观念的转换,电影创作的转型也必然与导演所处语境、社会大环境的改变密不可分。张艺谋电影创作在90年代早期与晚期先后发生了“现实主义”与“形式主义”两重转型,两次转型在具体内涵方面也存在着艺术关照的变化,进具体来说即从对现实的重视到轻视,历史的在场到缺席,以及对“人”的关注到淡化。三重关照揭示了复杂的社会现实及历史文化与张艺谋电影创作间存在的深刻关联。
Literary and artistic works are the direct reflection of social consciousness. Movie is the aesthetic projection of social thought. The change of artistic aesthetic tendency is often limited by the change of real environment and the change of creator’s concept. The transition of movie creation also inevitably conflicts with the director’s context, The environment changes are inseparable. In the early and late 1990s, the filmmaking of Zhang Yimou took place a double transformation of “realism” and “formalism”. There are also changes in the two aspects of artistic concern in terms of concrete connotation. Specifically, Attention to the reality of contempt, the presence of the absence of history, as well as the “people ” concern to dilute. Triple Care reveals the complex social reality and historical culture and Zhang Yimou’s deep relationship between the creation of the movie.